The Arts Society Huddersfield Programme 2022
Michael Howard – Goya
Goya: The First Modern Artist.
Quintessentially Spanish, Goya is the first of the modern artists. He painted, drew and etched the world of dream and reality, sunlight and shadow. An artist of unparalleled sensitivity to the psychological complexity of what it is to be human; like Rembrandt and few others his people breathe the same air as we do and come alive in all their vulnerability or pride as we stand before them.
He is also one of the very greatest manipulators of any of his chosen means of expression: he knew how to suggest the sheen on a blue silk dress, the wayward curl of a lock of hair or the eyes of one who has seen things beyond telling. Michael will be bringing to the lecture a number of original etchings by Goya
The Duke of Wellington
Nicholas Merchant – The Jewellery of Rene Lalique
Better known as a manufacturer of unique Art Deco Glass, Lalique was also a jeweller of great imagination and skill. His work which features the sinuous curves and natural references so prominent in Art Nouveau design was a revelation to the small circle of cognoscenti who purchased his work. Not for him the great slabs of jewels so favoured by the great jewellers of the rue de la Paix, but for him the malleability of unconsidered horn with its translucency set off with a light powdering of diamonds. More dramatic and lavish were the jewels made for Sarah Bernhardt which represented wildly imaginative designs with some macabre elements. Calouste Gulbenkian, one of his most enthusiastic patrons said, “He ranks amongst the greatest figures of art of all time and his masterful touch…… will delight future cognoscenti”.
This from the man whose motto was “Only the Best”
Julia Marwood – Introducing the Scottish Colourists
More details to follow.
Twigs Way – The Sunflower in Art and Culture
The Sunflower in Art and Culture
Worshipped by Aztecs and Aesthetes and cultivated by Impressionists the sunflower casts its golden rays across art and culture.
A personification of the divine and the regal, we trace its history from classical myth to twentieth century painting via Van Dyck and Van Gogh, Clytie and Klimt, Monet, Wilde and Watts.
Green and gold, human and divine, the adoring and the adored, the Sunflower.
Lydia Bauman – Mona Lisa and Other Housewives
The Mona Lisa and Other Housewives: How Portraits lie about their Sitters
How did Leonardo transform the ordinary housewife and mother of two into the icon of mystery which is the Mona Lisa, when other women, more distinguished and beautiful than her, come across as just virtuous, or shrewd, or marriageable?
How did unpopular or undistinguished men come down in history as figures of valour, status or importance?
What do marriage portraits tell us about the perceived place of men and women in society?
We will look at the subtle ways in which artists manipulate likenesses to respond to the ideas and values of their times and the whims and vanities of their patrons.
Ralph Hoyle – Mid 18th Century English Rococo silver, its social context and the adventures of its owners and makers.
I am forwarding a rather flattering picture which I trust will meet your requirements. I will be bringing with me a piece of silver ,which I am going to talk about, for the listeners to handle and examine, while I explain its purpose in eighteenth century culture, its design and decoration, and the through the heraldry explain how I found out who the original owners were and the misfortunes that befell them. Hopefully there will be a few laughs on the way!
Anna Bianco – Behind the scenes curating the museum.
How long does it take to put together a major exhibition? Who decides what subjects will be explored and which objects will be included? How do you get an object from the Vatican to the British Museum?
In this lecture members are offered a behind the scenes insight into the process and drama of putting together a ‘blockbuster’ exhibition. Drawing on her experiences at the Wallace Collection, Courtauld Institute, British Museum and her own gallery – Anna will share the trials, tribulations and joys of getting from the idea to the opening night.
The lecture also explores the contrasts between exhibition and permanent display curating. Behind the Scenes offers members a chance to discover a range of practicalities from packing crates, climate control and even insurance – that open the door on to the inner workings of a museum.
Jacob Moss – Painted Pleats: a history of European Fan Painting
The fan is a curious and complicated article combining utility with artistry. It is a weapon of seduction; it is portable art; it is a fashion statement – hard to categorise, but perfectly described by one particularly enthusiastic 18th-century writer as ‘the noblest invention of the human mind’! From a historical and cultural perspective, its significance cannot be underestimated. In East Asia, for example, where both men and women continue to use fans, they function in all sorts of ways beyond practical: given as celebratory gifts at weddings and births; used in Noh Theatre and Chinese Opera; even Samurai warriors and Sumo officials used fans. Today, in the West, fans no longer retain the sort of popularity achieved in the 18th century. They are generally thought of in terms of their functionality, whereas in the past they operated as lavish symbols of status, of wealth, refined taste, learnedness, even political leanings. There is so much we can learn from these objects; when we open an antique fan, we are literally unfurling history.
Nirvana Romell – The Nativity (Social History of the favourite Biblical scene)
The scene of Nativity is one of the most recognizable themes in the western art. However, prior to the middle ages, the artists were more focused on the Magi and the scene of Epiphany. The Nativity tableau, as we recognize it today, was established only in the 13th century, arguably as a consequence of the power-struggles between the popes and successive Holy Roman Emperors. Using the art of Giotto, Botticelli, van der Goes, Rubens and others as illustrations, the lecture explains the origins and the social history of the beloved scene.